索拉舞蹈空間

4.6/5 基於 8 評論

Contact 索拉舞蹈空間

地址 :

813, Taiwan, Kaohsiung City, Zuoying District, Minghua 1st Rd, 205號索拉舞蹈空間2樓

電話 : 📞 +8878
網站 : https://solarsitedancetheatre.weebly.com/
分類:
城市 : st Rd

813, Taiwan, Kaohsiung City, Zuoying District, Minghua 1st Rd, 205號索拉舞蹈空間2樓
王維良 on Google

老師們都很棒
The teachers are great
M
Min Tsai on Google

老師和老闆都很用心
The teacher and the boss are very attentive
C
Chien-Lin Kuo on Google

學習跳舞的好地方
A great place to learn to dance
R
Roger Yeh on Google

很用心的舞蹈班!
Very hard-working dance class!
孫嘉蘭(Rismy) on Google

不只是舞蹈,對於音樂與文化的涵養老師也很重視
It’s not just dance, it’s also important for teachers of music and culture.
K
Kathy on Google

老師有專業,對舞蹈充滿熱忱。上課有嚴謹有溫柔,孩子很喜歡去上課~
The teachers are professional and passionate about dance. Classes are rigorous and gentle, and children like to go to class~
黃志偉 on Google

很認真的一群老師,為了舞蹈、為了教學,付出熱忱與心力!
A group of very serious teachers, dedicated to dancing and teaching!
J
JinHow Lin on Google

2020年底在台南原生劇場看了舞作『太倉一粟』,演畢結束和友人急忙走出沒來得及好好填寫觀眾反饋問卷,特此前來抒發當下的觀演心情,方塊盒子造型象徵現代社會單位大樓,人的欲望和孤獨自賞,在物質世界穿梭、推疊和傾覆下,留下最黑闇最原始的空寂,空間構圖精巧佈局,後現代美學上乘之作,不得不說那首普魯士軍歌用得真是好,映照現代人的恐懼、脆弱卻又無比堅強,別人看法我不知道,我個人非常喜歡這種美學品味,看得出編舞者在音樂選曲上很用心,三名舞者的在這段歌曲舞蹈動作編排那可真是好,展現了勇氣、流暢、狂野又優雅,難得在疫情當前的2020年,能有幸看到這麽出眾的作品,辛苦您們團隊在不容易的環境下能交出這麽棒的表演,還有一點不得不說,舞者黃于庭的身形骨架線條在另兩名舞者烘托下尤其搶戲,舞台魅力尤甚,林方方的戲劇性串場連結篇章,劉依昀的創作能量也不容小覷,三名舞者各有所長,各具特色,演出精彩。 2021年10月17日 高雄駁二正港小劇場 索拉這回以舞作回應當代機械生活對人造成的思想流變和回憶改寫。 開頭,五名舞者在 Spiegel im Spiegel 溫柔的樂音下全員集合, 整體表現令人動容,每一名舞者不再只是舞者,而是一個個有血有肉的真實人物,觀眾像在收看一部成長過程的編年史,音樂劇形式的紀錄片,群舞動作優美流暢,氣勢恢弘。也就是在一開頭的此時,就勾起了我回憶20年前曾經看過的一部電影,Mike Nichols執導的Wit(台譯:心靈病房),片末時這首曲子曾經讓當年的我低迴不已,一併洗滌了靈魂的戾氣,20年後的今天,覺得這曲子怎麽這麽熟悉,猛然想起原來我曾在這部電影裏頭有聽過,真是憶當年! 開始進入作品中段主題時,韓華和黃于庭的合舞,扣合本齣舞作首發預告片的主題曲,兩人在身形線條互相較量下展現出的力與美,真是一大亮點,格外吸睛。 中間部份在動作上和戲劇效果上皆洞具巧思,還玩起了吃麵、老鷹抓小雞、大風吹等童戲,雖然對於童年想像落入俗套而顯得蒼白貧脊,但那正好也就是人們都擅長美化過去歲月印記的體現,能馬上讓觀眾感到份外自然親切,鄉愁湧現的劇場媚俗效果。 舞作結尾處,以男聲樂的低沉嗓音,標誌了一位藝術家的誕生,這也就是索拉舞團一直嚐試追問的個體如何回應群體,以及個體的生存樣態的哲學命題,看著舞者黃筱哲深具情感渲染力的肢體動作,演繹著蜷曲微小的身軀,卻舉起了最豐饒的心靈能量,哀傷,卻又高貴,藝術在於挑戰,藝術在於療癒,當五感打開,靈感也就翩然而至,個體很弱,但絕不會平凡。
At the end of 2020, I watched the dance "Taicang Yi Xiao" at Tainan Native Theater. After the performance, I had time to fill out the audience feedback questionnaire with my friends. I have come to express the current mood of the performance. The box shape symbolizes the modern social unit building. Human desires and loneliness and self-appreciation leave behind the darkest and most primitive emptiness under the shuttle, overlap and overturn of the material world. The spatial composition is exquisitely laid out, and the post-modern aesthetics is superb. I have to say that the Prussian military song is really used. Well, it reflects the fear of modern people, fragile but extremely strong. I don’t know what other people think. I personally like this aesthetic taste very much. I can see that the choreographer is very careful in music selection. The three dancers are in this section. The choreography of the song and dance movement is really good, showing courage, smoothness, wildness and elegance. It is rare that in the current 2020 of the epidemic, it is fortunate to see such outstanding works. It is difficult for your team to be able to hand it over in a difficult environment. For such a great performance, one more thing has to be said. Dancer Huang Yuting’s figure and skeleton line are particularly compelling under the background of the other two dancers. The stage charm is especially strong. Lin Fangfang’s dramatic scenes link the chapters and Liu Yiyun’s creations. The energy should not be underestimated. The three dancers have their own strengths, each with their own characteristics, and the performance is wonderful. October 17, 2021 Kaohsiung Pier Erzheng Port Small Theater Sora responded to the thought changes and rewriting of memories caused by contemporary mechanical life with dance this time. At the beginning, the five dancers gathered under the gentle music of Spiegel im Spiegel. The overall performance was moving. Each dancer was no longer just a dancer, but a real person with flesh and blood. The audience seemed to be watching a growth. The chronicle of the process, a documentary in the form of a musical, the group dance moves gracefully and smoothly, and the momentum is magnificent. At the beginning, it reminded me of a movie I watched 20 years ago, Wit (Taiwan translation: Mind Ward) directed by Mike Nichols. At the end of the film, this song once made me feel low. , And washed away the hostility of the soul. Today, 20 years later, how come I feel that this song is so familiar. I suddenly remembered that I had heard it in this movie. It's really a reminiscence of that year! When starting to enter the middle of the work, Han Wha and Huang Yuting’s choreography combined with the theme song of the first trailer for this dance. The strength and beauty of the two people's body and line competition is really a highlight, and it is particularly fascinating. eye. The middle part is ingenious in action and dramatic effects. It also played children's shows such as eating noodles, eagles catching chickens, and wind blowing. Although the childhood imagination fell into the stereotypes and looked pale and poor, it was just right. That is, people are good at beautifying the imprints of the past years, which can immediately make the audience feel extra natural and kind, and the theater kitsch effect of homesickness emerges. At the end of the dance, the low voice of male vocal music marks the birth of an artist. This is the philosophical proposition of how individuals respond to the group and the individual’s survival style that Sola Dance Company has been trying to ask. Huang Xiaozhe’s emotionally expressive body movements perform the curled and tiny body, but he lifts the most abundant spiritual energy, sad but noble, art is challenge, art is healing, when the five senses are opened, inspiration is also light. However, the individual is weak, but never ordinary.

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