原嘉義城隍廟戲臺(林宅時敏堂) - East District

antique

Good school sisters

Historical memory

It is listed as a historical building. At present, the roof is covered with iron sheet protected by the government, but there are still people living there. Don't disturb them ~

The descendants of the Lin family launched a restoration project and invited Tainan master carpenter Xiao Shengren and others to carry out such projects as replacement of beams and imitations. Lin's House is not only a typical Sino-Japanese merger, but the highest main beam of the main hall roof is painted with two flags of the Republic of China, which can be said to have witnessed the changes in Taiwan's history. Xiao Shengren, a large wooden master who has been engaged in the restoration of monuments, historical buildings and temples for two or thirty years, said that he has not seen the Taiwanese architecture of Taiwanese style, and incorporates Japanese-style building materials and construction methods. For example, the four main pillars in the center of the room, also known as four-point golden pillars, extend outward to the corner pillars on both sides of the main entrance, which were originally the stage civil and martial arts area. Later, the layout was adjusted to meet the housing needs of the homeowners, and partitions were added with Japanese-style bamboo mortar walls and squeezed stone magnetic brick walls, which made the Lin House different from the general Min-style residential style. Xiao Shengren pointed out that the wooden frames on both sides of the upper part of the main hall of the Lin House can be seen as a triangular frame made up of three beams and five melon tubes, also known as three links and five melons. Below it is a wooden sculpture with a dragon head and a fish body, called a fish. In addition to eliminating disasters and praying for blessings, it also means being the leader and titled on the gold list. It has the function of strengthening the bucket arch structure. It is one of the common decorations of traditional Fujian-style architecture; he speculated that When the stage was converted into a residence, it was supposed to be assisted by a Japanese master. The beam and pillar structure above the gate could be fixed with the "macro nails" on the side. The "bag", which is the anti-platen storage area, and the use of Japanese unique construction method "chasing tenon" to join the girders and other clues to judge, is a typical Sino-Japanese combined building. Xiao Shengren explained that "beams" are horizontal beams on the roof beams. Check the damage condition one by one before the replacement project. After all, wood is most afraid of damp environment, which is prone to termite erosion. Material cracks are the principle of repair. He emphasized that the bonding of new and old wood materials does not affect the main structure of the building, but also maintains the atmosphere of the old building. Staying in the main hall of Lin's house under the roof beam structure, when you look up, you can clearly see the colorful paintings on the beams, with the Tai Chi gossip picture painted in the center, and two Republic of China flags on the other side. Lin Lianghua, a descendant of the Lin family, recalled that the place once had a Japanese military flag and a national flag, and later changed it to the status quo to celebrate Taiwan's recovery. After the restoration is completed, the Linzhai Stage will continue to function as it was nearly a hundred years ago. It will hold concerts and cultural relics exhibitions and other art activities to pass on the feelings of the ancestors to give back to the society, and at the same time remind future generations to drink water and think about the source. The original Chiayi City God’s Temple Theatre (Chiayi Lin’s House) restoration project for the historical building. At present, all the original roof tiles of the Lin House have been demolished. The large wooden components have also been counted. The project, in a way of repairing the old as before, restores the early use of the old stage structure and develops it into a unique appearance of residential space. The Chiayi City God Temple has a history of at least 300 years. According to historical records, the temple was built with a stage (near the current archway) from the 11th year of Taisho (1922) to the 15th year of Showa (1940). It was built with donations from local merchant Jia Lin Kuanmin at the time as a reward for the show. At the same time, the establishment of a lecture hall was promoted to implement the social education function by explaining the scriptures and good books. Afterwards, the temple was to flexibly use the square in front of the temple, and the stage was planned to be demolished. After learning of the article, Lin Kuanmin’s eldest son, Lin bought it in memory of his father’s good deeds. The remaining structures were moved to the current site of Taidou Street, and the internal layout was re-planned and adjusted to increase the number of rooms, kitchen and bathroom and other residential functions for residential use. The Forest House on Taidou Street, Chiayi City was rebuilt from the stage of the National Historic Site Chiayi Chenghuang Temple. It retains the traditional Zhangzhou wooden structure and incorporates Japanese architectural elements. It has historical, cultural and artistic value. It was registered as a historical building in Chiayi City in 2009. It has been in disrepair and damaged in many places. The Chiayi City Government has spent 9.85 million yuan to repair it. It is expected to be completed in April 110 at the earliest. It hopes to reproduce the elegance of the forest house and provide an educational field for the public to learn about the historical sites. On both sides of the main hall of the Lin House, you can see the intact timber frame of Zhangzhou. If you look closely at the back door of the shrine, there are both under the couplet, and you can also vaguely find that "Answer to Heaven" and other couplet sentences. The additional space behind the main hall has been sealed in the ceiling for many years, and the original color wood paintings suspected to be the stage. Many clues to the components show that Lin Zhai was a trace of the relocation and reuse of the stage components of the Chiayi Chenghuang Temple. The Lin House adopts the structure of the old stage, and then builds and develops it into the existing residential space, and incorporates the popular modeling and building materials during the Japanese Occupation period. It is a typical Sino-Japanese merger building. The concept of "building reuse" not only revitalizes the space of the old building, but also re-emerges the building with new functions, coexisting with one bird with two birds with one stone. The Chiayi City God Temple has a history of at least 300 years. According to historical records, the temple was built between Taisho 11 (CE 1922) and Showa 15 (CE 1940) with a stage (close to the current archway). Give reward to God and thank the show. At the same time, the establishment of a lecture hall was promoted to implement the social education function by explaining the scriptures and good books. Afterwards, the temple was to flexibly use the square in front of the temple, and the stage was planned to be demolished. After learning of the article, Lin Kuanmin’s eldest son, Lin bought it in memory of his father’s good deeds. The remaining structures were moved to the current site of Taidou Street, and the internal layout was re-planned and adjusted to increase the number of rooms, kitchen and bathroom and other residential functions for residential use. The restoration project of the original Chiayi City God Temple Stage (Lin's House), a historical building in Chiayi City, was designed, planned and supervised by Liao Mingzhe Architects, and Tianji Construction Co., Ltd. was responsible for the construction. After 400 calendar days, the main building is about to be completed. As a historical scene of the stage. The project focuses on repairing the building's body, including roof leakage, and single-color reinforcement and cleaning, so that the building can be better preserved, leaving contemporary materials and traces of life. The architect said that most of the traditional buildings are red, but the main color of Lin’s family is green, and the combination of Chinese and Japanese looks extraordinarily elegant. He also mentioned that “grandfather donated, son bought back, grandson reported historic buildings” is very rare. Three generations of history, the future building is expected to be used as an exhibition space, and the rear is used as an introduction to cultural relics. Mr. Lin Kuanmin’s donation to the stage is the spirit of corporate social responsibility. Mr. Lin Wenwen will buy back for reconstruction, and Mr. Lin Liangjia will report on the historical buildings. In the 11th year of the Taisho era (CE 1922), Mr. Lin Kuanmin, a Yishun company, made his fortune in Chiayi City. In order to give back to the society and educate the people, he invested in the construction of the donated Chenghuang Temple stage, which was used as a lecture hall and stage. After the reconstruction of the Chenghuang Temple in Showa 15 (CE 1940) was completed, due to the flexible use of the temple square and the widening of Wufeng North Road, the stage was planned to be demolished. After learning about the article by Lin Kuanmin’s son, Lin, he bought it in memory of his father’s good deeds. The remaining structures will be rebuilt at the current site in Taidou Street and used as a residence. Mr. Lin Kuanmin’s Sun Lin Liangjia was reminded by friends that the building’s colorful painting and carvings were very exciting, so he took the initiative to report the historical building, and the city government registered it as a historical building in CE 2009. There are two cultural relic plaques in the stage. One side is "observable" by Mr. Lin Kuanmin, taken from Confucius's claim that the "Book of Songs" can prosper, observe, group, and resent. It is an important connotation that the stage doubles as a lecture hall. The other is that in Showa 15 Mr. Lin Wenwen dismantled the components to rebuild Taidou Street, and mentioned "Shimintang" on the gate, which was taken from "Book of Books. "Said Mingxia": "Only learn is not aspiring, be sensitive to the time, and come to Xiu." It is used to warn future generations that they should be humble and diligent in learning. This historical building was rebuilt in a turbulent era. The stage itself is a Zhangzhou architecture and then integrated with Japanese architectural forms. It is one of the architectural features. The lifelike fish sculptures on the stage beams and the brightly colored paintings on the Taishi screen are very exciting, not only The stage has historical value and it also bears witness to the Lin Family's contribution to the development of Chiayi City. According to research data, the colored paintings in the main hall retain the Taisho and Showa period colored paintings, and the single color part retains the three periods of Japanese rule Taisho, Showa and the 51 years of the Republic of China. The painted part needs to be repaired after further investigation and research, and the painted repair work item will be taken as the second stage repair target in the follow-up. [Shimintang] was once a national historic site Chiayi Chenghuang Temple stage, originally donated by Chiayi merchant Mr. Lin Kuanmin in Taisho 11 (CE 1922). Due to the widening and refurbishment of the Chenghuang Temple, Lin Kuanmin’s eldest son, Lin Wenwen, bought the remaining structures and rebuilt it as a home on the current site of Taidou Street. Now that future generations can no longer live here, they plan to create a cultural and historical exhibition space and cooperate with the Cultural Affairs Bureau to restore it. The restoration project is currently carried out by Tainan master carpenter Xiao Shengren and others to carry out tasks such as replacement and imitation of beams. Xiao Shengren said that he has been engaged in the restoration of historic sites and temples for two or 30 years. Shimintang, which combines Chinese and Japanese styles of building materials and construction methods, is quite "worthy." Xiao Shengren speculated that when the stage was converted into a residence, Japanese masters should be asked for assistance, but was the color painting on the main beam painted at that time? The descendants of the Lin family only remember that the Japanese military flag was changed to the national flag. Others are no longer available. Lin Chaoji, head of the Cultural Assets Section of the Cultural Affairs Bureau, said that it is necessary to investigate the painting era of the national flag, which can be traced back to 1940, which is about 80 years ago. [Shimintang] is a rare Taiwanese style building in southern Fujian that incorporates Japanese-style building materials and construction methods. Later, the homeowner adjusted the layout of living needs and added partitions with Japanese-style bamboo mortar walls and squeezed stone magnetic brick walls. The windows on both sides were kept for days. The unique "tobukuro" of the style house, that is, the anti-slab storage area, and the use of Japanese unique construction method "chasing tenon" to join the truss wood, etc. At present, Lin House has restored the early stage structure by "repairing the old as the old" method. The restoration process is full of surprises. The main beams of the main hall of the Lin House are clearly visible. The Tai Chi and Eight Diagrams are painted in the center, and there are two national flags of the Republic of China. Lin Lianghua, a descendant of the Lin family, said that there was once a Japanese military flag and a national flag, which were later changed to the national flag to celebrate Taiwan's recovery.

Dougong seat is a very important element in Chinese architecture. When the beams and columns are used to carry the weight of the roof, how to use a pillar to bear such a heavy roof, the dougong seat has become a very important building structure. The book "French Style" compiled by Li Jie of the Song Dynasty has a detailed introduction, but most of us today don't understand it. We can only look at the version noted by Liang Sicheng. The renovation of Shi Mintang now just allows us to see the classical Chinese style. The various parts of the building are ingenious. I believe that Architect Liao was also very powerful during the renovation process and opened up the renovation process to friends who are interested in learning. Regarding the architectural forms of Chinese classical styles, Hann will slowly learn and share with you in the future, but only this bucket arch, from the upper slow arch, melon seed arch, mud road arch, riding batch arch, etc., overall is very exciting, also see Only by drawing up the efforts of supervision and manufacturing in the safety operation of the construction site, can we rest assured that we can open it up for everyone to learn. In addition, everyone, have you noticed the arrangement of the gossip on the beams of Shimintang? Although it is innate gossip, it is the other way to look up from the bottom of the person standing down. Looking down from the air, it is the right innate gossip. The suitable reason will be discussed with you after I study it. Finally, add a few pages of the built-in method compiled in the Siku Quanshu to see if it can attract everyone's interest in studying Chinese classical architecture together.